author: Douglas Coupland

name: Steev

average rating: 3.48

book published: 1992

rating: 3

read at:

date added: 2010/09/30

shelves:

review:

author: Brian Francis Slattery

name: Steev

average rating: 3.65

book published: 2008

rating: 4

read at: 2010/09/30

date added: 2010/09/30

shelves: after-the-fall, fun, novels, own-it

i wish there was a way to just limit freeloaders of wifi to low-bandwidth
use and just stop them from watching videos and doing big
downloads/uploads and other high-bandwidth stuff, because in principle
i'm for open networks. it'd be great if anyone could freely use our
wireless to get email or whatever low-impact stuff they wanted.  it's
just that when the freeloading makes it impossible for us to do what we
need to do, there have to be limits.  so we've finally Read more>>>

I've been reading an excellent book called "'They Take Our Jobs!' and 20 other myths about immigration", by Aviva Chomsky. It's a really straightforward, easy read, and I've been highlighting key summarizing passages as I go with the intention of blogging at least a couple of times to share them. I will get to some of those soon, but I want to briefly mention one "big idea" from the book and how it relates to some other things I've been thinking about.

One underlying lesson of Chomsky's book is that, as we all keep seeing, history is such a great way to get at the truth or part of the truth that's often been glossed over in many discussions. She looks not just at the immigration situation right now but at the history of labor in the New World to show that immigration is a simply one part in the puzzle of how capital has always fought to provide itself with cheap labor. Cutting labor costs depends on having a population of workers who don't have the same rights as the rest of the people. An underclass.

The reason we've always had an "underclass" in our society, whether it was slaves, indentured servants, immigrants, foreign workers in far-away foreign factories, or undocumented immigrants, has always pretty much been because business needs to reduce what it spends on labor. They need to cut costs so they can offer cheap prices to consumers, and so they can increase profits.

Furthermore, the need to reduce retail consumer prices has become especially important in the last half-century, because middle-class workers here, the "non underclass," in other words, the consumers, have had their (real) earnings drop steadily since the 60s. Income inequality has been increasing as money gets funneled from regular people to the upper class. This means things, to put it simply, life has been kind of bad and getting worse and worse for the last few decades, for most people in this country.

To make up for it, rather than offering a truly better, more just and fair life for most people, Read more>>>

author: David Foster Wallace

name: Steev

average rating: 4.35

book published: 1996

rating: 5

read at: 2010/09/08

date added: 2010/09/10

shelves: fun, novels, own-it

This is the first in a series of postings about creative pursuits and other activities in my long-ago past.  I recently digitized several old vhs tapes full of various things I've done, including short film, video collage, and various music projects.  Here I'll tell you about a short-lived but very unusual and very fun band I was in almost 20 years ago. 

In the early 90s I was part of an small circle of musicians in Ann Arbor, Michigan that did various experimental or "avant garde" sound projects, including a "band" called Ears Under Siege.  Having its origins in one installment of a collagey, noisy radio show I did at WCBN called The Difficult Listening Hour, the group was basically about creating long, ambient, droney soundscapes, inspired by artists like The Hafler Trio, Nurse With Wound, Phauss, Eno, etc. There was sort of a revolving membership to this band but the core of the group was myself and Neil Chastain.   I was into sampling and Neil had tons of old synthesizers, and we would include various other players of electronic or acoustic instruments, somehow always maintaining a sort of low-key, spacey yet challenging aesthetic. Every session would start with a long period of everyone tweaking their instruments, developing patches and editing samples and setting up elaborate chains of effects processors.  Jeff Warmouth, mostly on bass guitar, and Kevin Lee on electronics, became quite frequent participants and the group was around for a couple of years, playing several gigs and recording lots of material.  

Bu this is about a totally different band.  At one point in the summer of 1993, Jeff, Kevin, and I met for an Ears Under Siege session at my apartment.  I can't remember if we knew beforehand, but Neil did not show because he was out of town, playing drums with another group of his, the math-rock band Craw based in Cleveland.  Anyway, we scheduled the meeting anyway and set up our piles of gear but then as we started fiddling with sounds we decided we wanted to do something different. Perhaps it was Neil's absence or maybe it was some other sense of a need for variety, but we decided to try playing a series of really short songs, instead of the long, 20 to 30 minutes drone pieces that EUS was so partial to creating.  

The challenge to come up with something different that would be interesting in just a minute or two ended up Read more>>>