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Archive - May 1, 2007
'Cool' Art: Hopscotch
I'm reading a borrowed copy of Julio Cortázar's "Hopscotch," and ever since I started it 5 days ago I wonder with each turn of the page whether I should keep reading. That's a bad sign. Why do I feel this way? And why do I continue? The answer to the second question is that it's an author that I "should" be interested in, according to activist friends who have said that Subcommandante Marcos, as a writer, was influenced by Cortazar's writing. It's just another example of that shelf full of "High Art" in my life, whether it be music, novels, or paintings, or whatever, that I do not find entertaining, that does not compel me (to keep turning the page, keep listening again and again, looking again and again, no), but instead is just there in my gaze because, as a discriminating, cultured culture-vulture, I should have it on my shelf.
But I think I'm growing out of this way of appreciating culture. I don't need this book. And it's not even entertaining me. I thought it would be at least as fun as Gabriel Garcia Marquez... It is said that Cortazar is one of Latin America's best authors.... the book, well, it's interesting, as a work of experimental fiction - there are 2 ways to read it, either straight through from chapter 1 to 56, or according to an algorithm, following the instruction at the end of each chapter to know which chapter to read first, 1-98-2-105-78-3, etc - interesting, but the prose itself exhudes self-indulgent narccism and ennui, telling the story of decandant Parisian 60s hipsters that I can't be bothered to care the slightest about... who gives a fuck if Horacio and La Maga sort of like each other in a limp sort of whatever way, and engage in elaborate games so that they might or might not run into each other on the street and then go have sex in a nearby hotel? Who cares if their arty friends argue about Klee versus Mondrian? I haven't read anything so boring and soul-numbing since stumbling my way through The Plague by Camus 20 years ago...
If I had nothing else to read, or if I wasn't working hard on my life, it wouldn't be a big deal. But I have much more important stuff to read, stuff about how to refashion my outlook on work and living, stuff about civilization and love and relationships and psyche... so I think I'll put 'Hopscotch' down and leapfrog over it... sorry Cortazar. Somehow, evidently, Marcos (may have) read you and become an interesting thinker and writer despite your work, not because of it.