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Archive - 2017
OG Dad
author: Jerry Stahl
name: Steev
average rating: 3.86
book published: 2015
rating: 4
read at: 2015/07/31
date added: 2015/07/31
shelves: children, fun, spirit-self, memoir, own-it
review:
For a lot of this book, I would reluctantly have to categorize Stahl's writing as basically "trying too hard." Occasionally he has a moment of real cleverness, or of real profundity. But too often he edges past those points and over the cliff of ham-fisted awkwardness.
I think if I wasn't myself a parent, and for that matter a quasi-OG Dad myself, I would only give this book 3, or even 2, stars. But there's enough stuff that resonates and is a smart take on things I've been living too, for it to be worth wading past the dumb bits. I think maybe Stahl's been in the Hollywood TV writing world for too long, or something. His writing here often feels like Groucho Marx trying to be Charles Bukowski - or maybe vice versa. I have felt for years like I would like to someday read his celebrated memoir "Permanent Midnight", but if it's the same level of craft as this, I might not get around to that.
Still, there are some great gems. He adequately conveys some of the experience of being a creative, "edgy", but aging, guy who finds himself, amazingly, a new father. If you don't care about the aging part, I think Neal Pollack's "Alternadad" is a better read. But Jerry Stahl has clearly been through the shit and come out the other side.
The Art Fair
author: David Lipsky
name: Steev
average rating: 3.06
book published: 1996
rating: 5
read at: 2015/09/28
date added: 2015/09/29
shelves: art, fun, novels, own-it, spirit-self
review:
A really nice memoir-like novel about growing up, divorce, being a parent to your parent, and the art world. On the last topic the book is really quite funny, and is at a level of clever snarkiness that borders on mean-spirited. The portrayal of the the cutthroat social struggle of aspiring art stars and dealers is one of the most biting and frank that I've ever read, with an undercurrent of bitterness and rage that makes me certain Lipsky's own childhood was seriously scarred by that scene.
The book does in a way what all of the best fiction can do - inspire empathy and understanding, perhaps as far as identification, even in readers whose own experience is far removed from what's depicted. In this case, my own relationship with my mother couldn't be farther from the narrator's with his mother, and in fact the idea of standing up my girlfriend on her birthday because I'm waiting for a call from my mother is just about the most foreign idea that I can think of (in fact I'd readily do the opposite, in a heartbeat, to be honest). Yet somehow by the second half the story has swept me along into a mental state where it all makes sense.
If I could give fractional stars, I'd have to say this is a 4.5, because it's really a quite simple and uncomplicated novel, formally, but it expertly accomplishes its relatively unambitious goals, so I've rounded up.
Triburbia
author: Karl Taro Greenfeld
name: Steev
average rating: 3.20
book published: 1995
rating: 5
read at: 2015/10/17
date added: 2015/10/18
shelves: novels, fun, children, own-it, gentrification
review:
Excellent. Lots of stuff about parenthood, marriage, class, gentrification, and more. Some of it is wise, some bitingly satirical. Makes me definitely want to read more of Greenfeld's work.
[SIC]
author: Davis Schneiderman
name: Steev
average rating: 3.83
book published: 2013
rating: 5
read at: 2013/12/20
date added: 2015/12/20
shelves: art, fun, novels
review:
My high rating for this book is for its high concept, and I'm biased since it's a concept (appropriation, plagiarism, recycled culture, there are many terms one could use) that I've been involved with, both in my own artistic practice and as a subject of study and documentation.
[full disclosure: Another source of bias is that a review copy of this book was sent to me by the publisher]
With this slim volume, Schneiderman pushes at an envelope of that concept of artistic appropriation. In it, he reprints excerpts from across the history of literature and philosophy, making the book feel a bit like a freshman Western Civ course or somesuch. However, his twist, his "value add" as they say, is that for each pre-existing work, he changes the byline to his own. It's an open act of "piracy" or, if you're more generous, "creative borrowing," but also an exercise in artistic curation.
The author of the forward mentions that Schneiderman told him that it's not necessary to actually read the book, because of its conceptual nature, and this is true. There's literally nothing new. It's enough to be paging through it and pondering why he may have chosen each selection, enjoying the cognitive buzz of seeing a different author name slapped onto each masterpiece. It's an avant-garde work in the truest sense, because this book is about showing other artists where the extremes are, not actually providing a cultural product for "civilians" to consume. That will come later, when someone else synthesizes Schneiderman's one-liner, perhaps with some related ideas from David Shields' "Reality Hunger" and some hard-won storytelling skills, to write a novel or memoir that is a tapestry of source material but that still somehow entertains and inspires, in a deeper, more personal and more complicated way than this art world gesture. Until then, we have this stepping stone to admire.
A Big Enough Lie: A Novel
author: Eric Bennett
name: Steev
average rating: 3.52
book published: 2015
rating: 5
read at: 2015/09/15
date added: 2015/12/20
shelves: novels, art, fun, memoir, own-it, politics
review:
One of the best new novels I've read in a long time. Of course this is due to my interests, one of which is art that blends, or is about the blending of, truth and fiction. This is a novel about a writer who writes a fake memoir as a desperate attempt to have his writing get at something truly real. The book alternates chapters between the fake memoir and the "real" story of how the writer gets from being a shy sheltered kid in rural Florida to appearing on an Oprah Winfrey-like TV show with his best-selling "fraudulent" book. On the way, Bennett explores and expounds on many important themes, like the nature of modern warfare, the fraudulent and media-driven Iraq War in particular, the pretensions and hubris of creative writing MFA programs, the pain heartbreak and obsessive, unrequited love... the list goes on. In a way I think this book is our era's version of Heller's Catch-22. Satirical, funny, dark, smart and complicated but full of compelling story lines that pull you along.
I wonder what David Shields, author of "Reality Hunger," would think of this book? At first I thought it was the perfect realization of some of his ideas. But then I realized maybe not as much so, because it is in the end fiction, perhaps even wholly fiction (although I do wonder how much of John Townley is Eric Bennett). Shields would probably love it if someone really DID do what is depicted in "A Big Enough Lie," wrote and sold a memoir that's really novel. Like "A Million Little Pieces" if James Frey had intentionally written it as memoir (a lot of people don't know it was his publisher that had the idea of marketing it as non-fiction).
In the end though, a great and perfectly apt novel for our age.