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Archive - Feb 2007 - Blog entry
Sounds
A couple weeks ago I saw this crazy german techno-pop band called Porsches on the Autobahn. They were a lot of fun. I got to the show really late and only saw their last few songs, but here I posted an mp3 of what they sounded like playing their last song, and what it sounded like as a I made my way out of the venue, Plush, and onto the sidewalk.
I've been really getting interested in sound and music again, and thinking about doing live performance again. But I've been hesitating because it's yet one more thing, and I don't know if I have time for one more thing. Life is pretty pleasantly busy and just on the balancing point before getting "too busy." I've been trying to be very careful lately to keep from going past that point.
And yet making music again feels really important to me right now, so maybe there's eomthing else i can lay aside for now. The other balance I want to strike though is that it not be something that sucks more soul out of me. Messing around with some music software last night I started feeling like I was being stupid, immersing myself in yet another thing that required staring at a computer screen. What am I doing? Maybe I should think more about this. Maybe I should be doing some sort of music less computer-intensive? hmm.
UPDATE: here's another new sound file, of snow melting off my roof 2 weeks ago and into our water harvesting tank.
Review in Pop Matters
A very extensive review of my film appeared the other day in the webzine Pop Matters. I like reviews like this in which the author actually has obviously researched the topic of the Juarez femicides beyond just watching the film and reading the promo material. Cynthia Fuchs even cites some website sources that I hadn't even seen. Of course it's not a super glowing review of the film itself, but that's pretty much beside the point. It's getting people to write about the issue, and that (not pop) is what matters.
lifestyle or life
hey. pendejo.
you with the tight ride with the shiny grill.
how wack is that. that you spend so much on, go into debt for,
something to get you around
something to compensate
when i already am where you want to be.
it took me 7 minutes to get home from where you drove an hour to get to
from your fancy splitlevel in the foothills or the eastside.
just pedalling.
and i dont pay a cent to any gym, like you go to, to get my legs ripped
(to the point where women compliment me on them)
more than yours will ever be sitting in a cube 9 to 5
that you also have to drive that ride an hour to every single fucking day.
and they told you that is all there is
in this world
for you
and they got you to believe it, somehow
that somehow out in the foothills
with your shiny grill
you'd be happy
but every friday you drive an hour down
to the cool part of town
where i and mine live 24-7
and you buy a slice of hip
like you buy everything else
(cuz they told you everything has to be bought)
after you sell your time all day all week
the only commodity you can never buy back.
ever. ever. ever.
never...
Cronicas
saw an amazing film at dry river tonite. it's ecuadorian, called 'Cronicas'. it's about a tv news crew from miami covering a serial killer in ecuador, and they fuck everything up trying to get the story. it's an amazing look at journalistic ethics and integrity. and the person i want to be, professionally at least, is one of the characters. the cameraman/editor. i want to travel the world with a powerbook and a camera phoning in investigative news videos via satellite, sweating my ass off editing footage in a jungle hotel and smoking and drinking quetzalteco or chicha or pisco or cachaca or whatever the local rotgut is. and get paid for it. Of course I'd prefer to work for a show that was less cheesy than the one depicted in the film, which was called "Una Hora Con La Verdad" (One Hour With The Truth)
"Transmedia" Saving the World
Interesting piece about participatory, serialized and multiple-media narratives, from the Obama campaign to Battlestar Galactica, and the opportunity through them for social good, or not... in Pitchfork of all places.
Does new media mean more to us than sharing clips of people mixing Mentos with Coca-Cola? Are we just duped rats chasing each other through ever-greater mazes? Or can we seize this chance to revitalize democracy?
the public and the private and public private
It is cold and overcast here in the desert today. That's my random public remark for this midmorning blog post.
A friend recently started a blog of which I'm the only reader, at least so far. She hasn't told anyone else about it, as far as I know. I envy her, in a way. To have a semiprivate space like that. To post blog entries of open mystery, entries with the word "you" in them a lot. To think about how people possibly could (a thrill of risk!), but almost certainly won't (whew), see and read. But many many people read this here and I've burned and been burned at this URL too many times to assume that sort of space here.
Suspira.
How to make this somehow interesting to those readers not interested, or perhaps even repelled, by thoughts of more episodes of "As The Steev Turns"? Well, think of this: isn't it just freaking bizarre to think about this sort of thing in the context of 20 years ago - imagine someone in 1987 reading this. It wouldn't make any sense at all. Diaries that might also be amateur journalism, research, rants, instruction manuals, available to strangers all over the globe with a 'click' of a... what? you call that a 'link'? WTF? oh and what does WTF stand for in your crazy future world? AFAIK, it doesn't mean "'Ware The Future", but it might as well.
I will say that I just sat for an hour at Cafe Passé eating a bowl of yogurt, granola, and fruit and writing a LOT in my journal. Life is extremely interesting and really quite good. What an amazing January it was.