The first 23 minutes of an evening of improvised, envelope-pushing performance. Musicians were Clark Coolidge, John Melillo, Conor Gallaher, Michael Dauphinais, and Prabjit Virdee. Video projections by Steev Hise.
Venue: Chax Press, Tucson Arizona.
This video is a mix of the live footage of the event and the recorded video stream from my video software, Resolume Arena, which itself included feeds from 2 cameras pointed at different parts of the stage.
Cast: steev hise
This is a list of many books i've listed on my Goodreads "wishlist" shelf.
I already have so many books waiting to be read. I think I need to start speed-reading, or skimming. or something. Read more>>>
This is a short video I worked on a few months ago with Creatista, funded by Primavera Foundation.
I was one of 2 cameramen on the project, shooting with my Panasonic AF100. The other camera was a Red Scarlet. (Can you tell which shots are which?)
It's great to see it all come together when I only work on the production end and am not involved with post-production. It almost feels like magic. Anyway, it was a fun thing to be involved with and I'm glad I was part of it.
Recent experiments with Resolume Arena and a QuNeo have yielded this sort of thing, which I quite like and am therefore sharing with you, intrepid viewer.
Video source material is footage I shot of boopers and other audio gear used by Mark Hosler of Negativland. Sound created by me, with Audiomulch.
Cast: steev hise
Via facebook I recently became aware of another dumb controversy regarding another "misbehaving" celebrity. Apparently Miley Cyrus mentioned Sinead O'Connor as an inspiration, and Sinead blew up with an open letter on her blog lecturing Cyrus about nakedness and women allowing themselves to be exploited, and then 2nd-tier pop star and media gadfly Amanda Palmer got in the act and posted an open letter back to Sinead.
Here's what I think. First of all, I've seen Cyrus's "Wrecking Ball" video that started the whole debate and it seems a really sad, tragic, vulnerable song. Cyrus is either super messed up and struggling, or really really good at pretending to be.. and then to muddle that up further with the bizarre mixed (sex/violence) visual messages of the video is just a trainwreck.
But second of all, should we really care about this Catfight of the Famous? It seems to be the epitome of the Society of the Spectacle that we're all sitting around avidly reading the patronizing letters these rich pop stars are writing to each other about how wide or how level their playing fields are. The basic feminist and anti-consumerist message is great, but i'll already be passing that worldview to my children and i don't need any millionaire musicians to teach me how.(btw I'm purposely not linking to anything I'm talking about above, because that would just feed the click-hungry spectacle machine that I'm talking about.) Read more>>>
For the last year or so, I've been becoming a sort of crowdfunding (and specifically Kickstarter) expert, consulting and making videos for clients who are trying to raise funds for various projects. If you've followed me during that time you've probably seen me stumping for dollars for these various projects - a microbrewery, an organic chicken-raising collective, a couple days of carless streets in Tucson... all these things became realities thanks in part to the platform called Kickstarter, and thanks in part to my know-how in using it and social media.
Now I'm using that platform to raise funding for a project that I'm actually involved in myself: a documentary that I'm directing about homelessness, and specifically about the challenges of being homeless in Tucson, Arizona. Check out the Kickstarter video by pressing play below:
My collaborators and I are experienced filmmakers; for years we've all been involved in enough low-budget or no-budget projects to know that it costs a certain minimum amount of money to do a film properly, in such a way that people will notice it, and watch it and respect it and recommend it to others. This minimum amount is usually much higher than people not in the business expect, but much lower than the numbers thrown around in Hollywood circles. You can make films cheaply, but you do need something, and the professionals who work on even low-budget films need to eat, and pay rent, and maintain their equipment. Read more>>>
"Most parents are so exhausted by parenting that they tend to turn away from social resposibility, and toward convenience. That's just what Madison Avenue wants. Get the juice box. Get the SUV. Get the mollifying toy. I'm not suggesting that we do things perfectly. We don't. But we're trying in the ways we can."
- Steve Almond, interview in Rad Dad
"...for some reason, there seems to be a sort of denigration of parenthood. When you tell some people that you're gonna have a kid, they say things along the lines of, 'See you in eighteen years' or 'Well, you won't be sleeping any time soon.' My favorite one is 'Things are really going to change.' Well, of course they're going to fucking change. That's the whole point! You don't want life to be a static experience. Change is the idea. That's why we're here."
- Ian MacKaye, interview in Rad Dad
"... most parents simply want to get through the day however they can. Amid the inconvenience of children, they don't want the further inconvenience of having to consider themselves moral actors." - Steve Almond, inteview in Rad Dad
A few minutes ago, as my first cup of coffee still hadn't fully worked it's neurochemical magic, I found myself wishing my father could be around to see all the big changes happening in my life lately, and I wondered if there was a special blog or twitter-like social network i could post to that dead people can read.